how are onstage characters in jingju beijing opera classified

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  • Beijing opera
  • In Jingju (Beijing opera), onstage characters are classified into four main role types, each with distinct characteristics, subtypes, and performance styles. These roles are:

    1. Sheng (Male Roles):
      • Represents male characters, such as heroes, scholars, or officials.
      • Subtypes:
        • Laosheng: Older, dignified men, often with beards, emphasizing refined singing and calm demeanor (e.g., generals or emperors).
        • Xiaosheng: Young, handsome men, often romantic leads, with high-pitched singing and graceful movements (e.g., scholars or lovers).
        • Wusheng: Martial male characters, skilled in acrobatics and combat, portraying warriors or heroes.
      • Performance: Natural vocal delivery, elegant or dynamic movements depending on the subtype.
    2. Dan (Female Roles):
      • Represents female characters, portraying a range of personalities from virtuous to vivacious.
      • Subtypes:
        • Qingyi: Virtuous, noble women, focusing on melodic singing and dignified movements (e.g., loyal wives or maidens).
        • Huadan: Lively, flirtatious young women, emphasizing expressive acting and charm (e.g., maids or coquettes).
        • Wudan: Martial female characters, skilled in acrobatics and combat (e.g., female warriors).
        • Laodan: Older women, often matriarchs, with lower-pitched singing and steady movements.
      • Performance: High-pitched vocals, graceful gestures, and elaborate costumes.
    3. Jing (Painted Face Roles):
      • Represents bold, larger-than-life male characters, such as warriors, generals, or supernatural beings.
      • Known for colorful, symbolic facial makeup that reflects personality (e.g., red for loyalty, white for treachery).
      • Subtypes:
        • Zhengjing: Primary Jing, often heroic or authoritative.
        • Fujing: Secondary Jing, sometimes comedic or villainous.
        • Wujing: Martial Jing, focusing on acrobatics and combat.
      • Performance: Powerful, resonant singing, exaggerated expressions, and commanding stage presence.
    4. Chou (Clown Roles):
      • Represents comic or clown-like characters, often servants, minor officials, or mischievous figures, male or occasionally female.
      • Recognizable by white makeup patches around the nose and eyes.
      • Subtypes:
        • Wenchou: Civilian clowns, relying on verbal wit, cunning, or humor.
        • Wuchou: Martial clowns, skilled in acrobatics and physical comedy.
      • Performance: Natural speech, improvisation, slapstick, and lively movements to provide comic relief.

    These role types are highly stylized, with specific conventions for makeup, costumes, vocal techniques, and movements, allowing performers to convey character traits and emotions clearly. Each role contributes to the narrative, with actors training rigorously to master their specialized skills. While these four categories dominate, some performances may include minor roles or variations, but the Sheng, Dan, Jing, and Chou framework forms the core of Jingju’s character classification.

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