Beijing Opera
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Dan in Beijing Opera
The Dan (旦) refers to any female role in Beijing opera. Dan roles were originally divided into five subtypes. Old women were played by laodan, martial women were wudan, young female warriors were daomadan, virtuous and elite women were qingyi, and vivacious and unmarried women were huadan.
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Tags: Dan Huadan Beijing Opera Peking Opera
Peking Opera-Huadan
Huadan characters are vivacious maidservants serving well-bred ladies, unmarried girls of humble birth or young-married women seductive in appearance and rude in words. They are in short costumes and, in most case, speak in jingbai-the current Beijing dialect.
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Tags: Peking Opera Huadan Dan Beijing Opera
Main Subtypes of Sheng
The Sheng (生) is the main male role in Beijing opera. This role has numerous subtypes.
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Tags: Beijing Opera Peking Opera Sheng Wusheng Xiaosheng
Peking Opera
The Nightingale by Hans Christian Anderson tells of a bird that sang the most beautiful melody in the world. There is also a nightingale in China, and its name is Peking Opera.
This performance art is full of vigor and vitality, and its songs are cheerful and charming. This program takes a light-handed approach to the many aspects of making a Peking Opera happen, including make-up, musical training, movement training, set design, and costumes.
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Tags: Peking Opera Beijing Opera
The Roles in Beijing Opera
In Beijing opera, there are four roles: the male and female roles, the painted-face role, and the comedic role. Every role has its own specific brands.
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Tags: Beijing Opera Peking Opera Dan Chou Jing Mo
The Jing Roles
Only "painted face", or jing, usually has facial makeup. They are all male with a rough, bold and uninhibited character. They speak loudly, shout at the slightest provocation and, if irritated, may use force.
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Tags: Jing Chinese Opera Meng Guanglu Beijing Opera Peking Opera
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