爱戏网

京剧教学：京剧旦角的台步 连步和圆场

  • 时间:
  • 浏览:674
  • 来源:爱戏网

     台上的一静一动都有着她的规范，京剧里面叫做：程式。每一步行走，每一次挪移都要经过一个从量变到质变的过程，而这个过程的第一步，就要是规范。   

      所谓“步”就是要把力量集中在脚部，呼吸自然会下沉，若把力量集中在胸部，气息会带动重中上移，从而成为舞蹈范。   

      这三种旦角步都有一个共同点：膝盖要松弛。 台步、连步：眼睛平视，腰要立，力发于脚趾，脚腕跟随推动前进。 圆场：眼睛平视，腰要立，抬动脚后跟，膝盖轻提。

      在开始练习中双手叉腰即可，以便帮助腰部的平稳，练到一定程度双手可根据人物、情节来变换。

猜你喜欢

what are the props always seen in peking opera

InPekingopera(Jingju),propsareminimalbuthighlysymbolic,usedtoenhancethestylizedperforman

2025-04-18

how are onstage characters in jingju beijing opera classified

InJingju(Beijingopera),onstagecharactersareclassifiedintofourmainroletypes,eachwithdisti

2025-04-18

in jingju the role type known as chou is

InJingju(Pekingopera),theChouisaroletyperepresentingcomicorclown-likecharacters,oftenmal

2025-04-18

in jingju the role type known as jing is

InJingju(Pekingopera),theJingisaroletyperepresentingmalecharacterswithbold,larger-than-l

2025-04-18

in jingju the role type known as dan is

InJingju(Pekingopera),theDanisaroletyperepresentingfemalecharacters.Itincludessubtypesli

2025-04-18

剧种标签导航